It may require a little work, but doing so will drastically improve the results of your black and white cinematography. This is usually a good thing since shooting in color allows for more flexibility in post, but it also means that you’ll have to dedicate some time to learning how to see gray shades in a world of vibrant color. Worse yet, most camcorders can only preview color footage to your viewfinder or EVF. Besides the occasional in-camera effect, most camcorders shoot in color. You’ll also need to know how to light, shoot and properly edit your footage so that you can achieve the full impact that shooting in black and white can give to your next masterpiece. However, capturing good black and white footage isn’t as simple as dropping the color from your footage. Who would honestly say that color would improve movies like Schindler’s List, Citizen Kane, or Sunset Boulevard? These movies enjoyed a vintage, artsy feel due to the stark contrast of their black and white cinematography. Perhaps because of their exceptional work, shooting in black and white has since evolved into a way to transform a film from one of mediocrity to one with style, class and edginess. What do these three have in common? Well, besides being famous, they all shot their masterpieces in black and white. Ansel Adams, Alfred Hitchcock, and Orson Welles.
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